big manifesto

fabric, acrylic, ink, newspaper cuttings, glass paint on found wood

Classically trained, however, an active explorer of boundaries and limitations, my work is a reaction.

Creating familiarity by the use of referential imagery my work aims to create anthropomorphic connections and raise questions on socio-political issues of our times.

Using the canvas as a mean of captivity, and floating between figuration and abstraction, my work resembles a caricature of a sculptural object, which failed to escape its two dimensional surface.

The use of thread is analogous to the ancient Greek myth of the three fates and each thread reference a human life; clusters of thread represent societies.